30 Sept 2008
everything in spades
saw your hair of raven black
stars cascading down your back
you have everything i lack
everything in spades.
saw the diamond in your eye
saw the shimmer in your sky
for you i'd let my senses die
everything in spades.
the dark horizon is suspect
and falls into swift neglect
everything you say is correct
everything in spades.
heard your voice a whispered hush
velvet smooth heroin rush
so like springs eternal blush
everything in spades.
driven on and hell bent
to your heart i will relent
from your soul so heaven sent
everything in spades.
you can turn black to white
you're my moon my satellite
from centigrade to farenheit
make my pen start to write
turn the dark into light
make everything seem all right
everything in spades.
29 Sept 2008
The Eye is a Symbol on the Dollar
(Text reads)
The eye is a symbol on the dollar
The page is blind No one can see it not even you
The gods enlarged fill in the blanks check
~additional text can be read by D Rood.
the liberated puss
The liberated puss / pressed into lint oozing through gauze / some years later your septic vampiric kiss releases a hot gush from my torn jugular / in your grip my feet kick and dance / smearing sticky red on the white tiled floor / my new found somnolent gaze fixes on an advert playing on a security monitor / a family in a silver car winds up a narrow mountain road / winds up my mind / high on adrenaline passed to me via your saliva / I blink and the family in the car is screaming / descending into their seats as though melting / spumes of blood froth upwards across the tinted windows / warm upon my face and into my eyes as you scalp me / rolling back the skin across my bonce / rolling back the prices a smiling mother pats her buttock / black chipped nails tap and scrawl on my exposed skull / I feel you point at my forehead and then with a specially sharpened fingernail cut down the centre of my surface / my reddened face / inane / still staring at the images in the security screen / you peel off my face in strips / cut generously with a blade around the eyes so that it looks like I’m wearing glasses / comical / sat on drying agitated muscle / I hear you laugh / a monkey and a jingle for chocolate milk / glazed / eyeballs rigid unable to cross the abyss to yours / you lower me to the ground / gently / clutching my tattered flapping throat / I can no longer see the screen / just its reflection in a municipal door / mottled / crosshatched with embedded wire / a montaged smear of films I ought to watch / you remove my clothing / damp / soaked in immobilized fear / you remove it in practised routine / Belmondo wraps sticks of dynamite round his head / in the reflection / in reverse / you dig fingers into my flesh / my perineum / and with an upward motion tear off my cock / balls ‘n’ all / I’m aware of a hunched shadow eating from its hands / of images of a boy firing his first shots into reversing footage of the Nazi regime / its atrocities / your stylised slurpings / my maimed face remanents twitch / tauten / eyes stuck to the reflected scenes / you toss aside my half eaten morsel / Joe Pesci smashes a head with a car door / you belch / I feel a splutter of your hunger wetten my chest / you stab in controlled frenzy / horizontal / serrating my abdomen so that I might later be torn in half / you wait panting / Robbin Williams detonates a bomb in a noisy crowd / my intestines erupt / carefully / intact / excavated by your burrowing hands / you crack open my chest / parting waves of bone to dribble soporific spittle upon my heart / asleep in viscera / in a stream of idols / Jeanne Moreau / the girl on the motorcycle / Myra Hindley / you push air / force it from my mouth by squeezing my naked lungs as if in the grip of a passion with another woman / my eyes stiff / fixed / staring into the fantasy spattered with my own blood / obscured with my own blood / and then you must leave me / I feel the breath of the door swing open / then shut / I think I vomit / a film starts in the fragmentary reflection / oh shit / it’s Night of the Demon…
Piece of your soul (let me wear it)
Pieces of your soul flooded like tears the fourth arena
imagine your third eye was a clitoris, my words were a tongue
i intend to make you cum. inside your mind
you don't mind-each blink four fingers swallowed
then remember your soul flooded the arena like cheers
from the crowd, chariots burst and the drums stir an emphatic roar
energy swirls_like moisture from the crown. victory
the moment transcends comprehension
by comparison heat swells in your left ear
memories
]trickle
down
your
thigh
you wear tights. and seal jars shut. /put lids back on drinks
things like this.
four fingers deeps. so many colours_the mind of the universe
you say the king of kings/pepper's tone/Jazz the comedienne
threesomes your third eye enjoys, your favorite song joins in
undresses, and hands you a nipple
every image an oasis, open mind wide open
cannot contain, wants to scream-Allah, Yahweh, Jesus himself, Imhotep
/ great histories, you are so wet, your soul
floods our arena-like dreams the chariot fingers lids
like wet the song swells in your heart
an oasis
embellished
blinks the crown. ;)
tongue kiss clitoris third eye escape
ejaculations terrific
the song pours_
_
_
poetry at the scene of the crime.
28 Sept 2008
27 Sept 2008
26 Sept 2008
.inherent corpses.
they cornered off the first five breaths she exhaled. voices like a plague without instructions so far, without orders or boundaries, bias or borders. Bouncing like bombs dancing all the while to the off beat rhythm of explosions. the conductor selected like a member of the audience at a magic show. Applauded on stage by machine gun fire to clear the first five rows. It's a crescendo of desires, no drill today, no crisis averted. I'm aimed at all that isn't already dead. Curse this heat, this hat, this leg. I'm on the edge of a death toll, a mountain inherent in our choices amounting to madness occurring day after day. The future in orderly file, lines up to greet us. This pre-sent moment, pre packed, pre paired we could not have known more about. And I've never seen a crime scene so smug.
even more strange flesh
“…San Francisco must be a delightful city, possessed of all the attractions of the next world,” Tink had said, wondering how terribly she’d mangled the phrase, knowing that Pan would love it nonetheless.
The city was his wilderness, she knew, lost island where boys could be boys. The plastic cup eclipses him for a moment, sending a wave of piss-water beer down her throat. He keeps on speaking of cities for a while, babbling on about the wonders of his favorite metropoli, the catacombs of Rome where armies of pale children skitter and chitter in the sacral shadows, the Parisian cafes where he’s sipped absinthe with lonely husbands, the black meat markets of Rotterdam where a thousand boys gurgle muscae voliantis through straws of sucked-dry femurs.
and finally, finally, they two lie in his narrow bed, in a dorm room common area, vainly, voraciously mouthing what cannot be spoken of each other. he extrudes shafts of burning blood, insistent membranous sponges, and finally flips up her green skirt of leafy crinoline to let him in. and when he’s spent and collapses into sighing sheets she thinks to leave. but his arm lies heavy against her breasts, drowning breaths against his lineless palm, and whispers she should stay. She knows it’s only her warmth he craves, but lies outstretched and waiting nonetheless, softly drowning. is that fear in her eyes?
it truly is a city for the disappeared, Tink thinks, a city of countless seething lovers, each colliding silent, ghostly, each to each.
pan speaks:
to be thirteen.
to know one’s body
to be alien. precarious site of erupting pustule and wiry curling extrusion. at thirteen – and maybe it was all the sci-fi and fantasy, maybe it was Giger and Hoffman but – when I stood, fresh from the shower, glorying in the strange bare moment of alone, watching capillaries bloom into fevered roses across my chest, it was hard not to imagine what might press a horn-fleshed palm against the wall within, the web of bone and meniscus of fascia – to wonder what might breathe beyond that throbbing wall, and to know that I was only the stop-motion film of its upwelling, the high school biology textbook of an otherwise unmapped gestation.
my voice a broken, glissando chain
slow, lunar wound
a swelling from within without. the new-glossed skin
still taut but seeping
alchemic lubricant.
I fall in love with a thousand faces everyday; it’s their faces
their faith
so tender so forceful misplaced
each one an armature turning flesh to syntax
the arch of brow an accent-line
the cheek a bone a more or less prominent stress
such fiercely implicit faith in the armature they move
in, its fabric trace, a medium
they swim, breathe, be
in
can’t (ever) be with-
out.
“all a tremulous
hope and its even more
vibratory failure”
he says it as if it could be in any way sexy
it all went different when poor Wendy met the Hook. Tall, lean and acerbic, with eyes and wit that glittered as bright and cold as winter stars,
all of which went perfectly with his glistering, surgical steel hook.
Victim of a meat-slicer accident in his father’s butchery at the age of nine, his right
hand had been replaced by one of the more cunning products of 20th century ingenuity: twin cruelly bent steel hooks depended from the bloodless, plasticine stump of an artificial wrist. Older than all the lost boys, he had had two decades in which to perfect the art of employing this contraption, and had come to prefer it, his sinister limb, to the one which nature had proffered him, and fate had allowed him to retain. With these twinned metallic digits he could tease beauty from the taut chords of his family
harpsichord, could wield an artist’s brush and an Exacto knife with equal alacrity; indeed, as soon as he was able, at the tender age of thirteen, he began to work in his father’s meat-shop, employing a natural eye for the contours of flesh to carve the once-living into artifacts of culinary history. He discovered in himself a natural genius for the carving knife, the cleaver, the filleting blade, the boning bodkin and the band-saw.
He split the chine to fabricate delicate butterflies from splayed ribcages, apportioned tender slabs of steak from rump flesh and marbled loin, wracked lamb corpus to form elaborate crowns he wore to run, whooping like a redskin, behind the butchery’s cold counter.
Nonetheless, that early accident had sheared away more than bone and nerve, so that when it came to deli slicing for sandwich munching patrons, he always called out to his dad to take the task, and watched with fearful fascination not his father’s pneumatic thrusting, but the silvery spinning blade and its milky froth of fat and purge.
Its relentless turning, tuning solidity to paper thinness.
now we are guilty of everything and capable of nothing.
now we are all perched on the sloping roof of one of the city’s many skyscrapers, dancing a maypole circle around its manicured claw. this is one of his favorite games; letting himself slip down to the narrow, gargoyle-strewn ledge below he stands, facing up towards us where we still dance our delirious circle, his back to the howling void, he says:
these buildings are dreams
a broken god’s truncated feet
the high tension lines humming a crystalline web, not cables at all
but the taut-stretched nerves of men and women
singing their high and mortal song
while below, beneath the caked hemoglobin of blacktop
still - live veins throb
‘the city is no thing,’ he sings
‘but the broken flesh of an unborn god’
and then he flings himself off the ledge, his tattered clothes’ flapping in the wind of his own descent suddenly, impossibly, the only sound in the whole city; ‘it’s just the lonely implosion of an unhealthy cell,
destroying itself before its cancer can infect the whole.’
now we shiver off blue dawns, grasping on to the sternum’s thin latch, fumbling at the fascial cache; with birdsong the terrors of last night’s inheritance are announced; throbbing nasal ache and diaphragmatic convulsions; rock me tender mockingbird, let the tender threads of your arms wall in; I feel a blood tsunami coming on.
so we hang on streetcorners, derelict stars shiftily trying to twitch into the sidereal conjugations of unglimpsed constellations.
25 Sept 2008
The Prosthetic Acephalous Mouth Suck Up the Death Of Man
The Prosthetic Acephalous Mouth suck up the Death of Man
And that you defecate what they have defecated under the precaution of contracting syphilis from swallowing their own words of wreckage filth mess/
BoyDebris and Veyda extrapolating under narcotic fade out to grey turgid dawn of the inexorable march of the delirious/ Not another fuking dawn/ What happened to the night?/ The perverse expectation to explain myself fills me with disgust/ Did we confess under that marginal escaped voice that murmured over the filthy City at night while you lay full of wakefulness in the prison bed / yr thoughts of decomposition and exhumation fragments of a disintegrating memory that seemed to be seeping back into the NOW as an libidinal erosion/ the skin takes on the sheen of transparent rice paper/ something is written in ink which bleeds in the darkness of yr room you look for the body that radiates / Divorced of actual need for happiness we gash ourselves to the bone attempting to feel something/anything/To say that you have a body when it is racked with anguish is to ask “why have I spoken of that which I wish to forget?“/ superfluousness and vanity is not justification to exist in itself as if beauty had a interminable necessity of being/ thought in its most passive passion imagines the heavens without yr glorious becoming angelic and divine/the strange violence of velocities circle/cycle of birth and death is an absurdity that relies on the movement of time to give it some validity/ if I don’t die I can be nothing but a burden to you/ I have neglected the dying of others in the anticipation that dying would be outmoded in the next decade/ But of course this will be the last dying of the doomed species and I will not be alone but surrounded by the weight of dead things and objects /
I am making the real unrealizable but without the explication of intense concentration it will be separated from what ever suffering there is in passivity/there is a violence and an incongruity in my heart that drives me to distraction to increase the pain to the point where it becomes pleasure/I am radiating artic polarity and reflect nothing but my five minutes with you/ when we open our eyes we see a world that is empty violent full of incoherent noise/a shattered joy of great disasters/ detonating the unity of occurrence the limit of stress and the excitation of zero/ The lost art of the intimate gesture suspended where desire is careful not to be satisfied/ Apocalypse is everywhere but invisible its is in yr shoes and yr feet drag thru the day it is in yr fingers and the hands shake and sweat /the disaster never happens in the present it is an abyss that swallows every present and presence spiting out the gristle and the bones/its happening now but so clandestine we confuse it with everyday life/ Our human talents of memory and reflection oppress us with their dead weight/ Information wants to be free/ being is not stable but precariously meta stable it cannot be predicted anticipated or controlled/ we do not hellucinate an imaginary presence it is rather presence itself which is a delirium of hallucinations?/ Information overload is our proof that an external world really exists/ In order to apprehend life it is necessary to go to the door and let strangers in/ To throw open the window / What happens never escapes what happens except thru fulfilment/ Effort does not flow it crawls on its knees trying to understand the nothing that gave birth to it unasked for/you can never be promiscuous enough to to satisfy the need to be filled with agitation/ Her invisible despair is hopeless since it is the result of the realization of all her desires to dominate time and space which produces an hysterical intensity of life and living and an imagined open-ness and transparency/ Are there no secrets that we fail to confess?/ Where are the hidden objects we will never find?/ I know far to much already / Yield to the intimacy of the machinic/ and her imagination must remain in the form of an indelible memory of her self pressed onto the fragments he tears and takes away/each time he eats a little more he eats and speaks with his mouth full and I grow a little lighter/ Scribbled notes on the back of my hand amidst the collapsing skin /the purple veins/tracks that run to the end of my fingers and pretend to escape/ I am in ruins and suffer under the coercion to prove that I an here and I am becoming and doing and leaving traces which do not support themselves in holding onto us in this time of loss and impending return to the to the precarious seriousness of innocence/ Visions of yr body segments moving without motion yet taking its immanence from one excremental place to another of continual modalities/down the steps leaving only a series of images blurred and distorted/ I can recall by chance yr name and speak it in a whisper/ I know you are outside of the one who speaks and the other who has thought the speaking/ passing on something not desired/ furtively hiding the implications / the immensity of trust and attraction with the highest of reasons and motives/ There is an understanding of an end but not an end to understanding/ Nude distended by a suitcase heading for the Departure Lounge/ Exploding planes of solar distortion refract off plate glass repulsion and disturbs the impelling thought that I have always been a subject preserving and capturing a reality which has faded into a simulation/perhaps many /under the murmur of perceptual trespass/ virulent yes but ultimately complacent and disregarding the implication for the interior monologue/ words and extension of will and will a force of conscious subjective desire to possess/ I want this and I will speak it into my arms and herein lies my romanticism/ My lust for the power of speech/above writing/ I want to hear yr voice deny me my inner experience of subjugation to yr will/ Get rid of the body thast is the first precaution to take/ the body is a witness to the event after the excitement of the killing slides into decline/ He has reached a summit of evil and there is no fault to be found in this dialogue which tries to explain away the motive of Mans expiration/
24 Sept 2008
Androgynous Christ
[ Iron man by Ozzy Osbourne ]
23 Sept 2008
22 Sept 2008
piano improvisation
Most importantly it's the sound. I am more comfortable with video edited and me out of it_ this was done mostly with my eyes closed.
Enjoy.
21 Sept 2008
20 Sept 2008
That Most Critics Would Say a Shark
I’m a living miserablometer. Like this: look here and find the greyblue night clouds bouncing urban lights and Gaea power off their soft heads. But Crunchy Man (known as such for the way he stays crunchy in milk) kneeling down in the silty clay keeps thinking he has to dig rotten hearts out of this patch of earth by the bay shore with nothing but a shark fin, just a way to distract him from his brainwash addiction... Always used to come out of the shack at the edge of town, the one hosting the radical speakers, spouting some propaganda about burning the fucking Jews one week, then the horrors of a central government wearing nihilistic black the next week, until hefinds himself arguing over the intense relevance of wheat grass in a diet– didn’t matter what so long as it was someone else’s rhetoric-- because the words were so much stronger than him until “they” burnt the shack down and where will he get his fix now. So he digs away with his organism abused by the profound sadness of the sopping hearts until his salty eye wetness foams white in the dirt so sickly he can’t breathe reminding him of a good ovulating pussy such that he has to scourge himself for dirty thoughts. And blast it all to hell, this fruiting garshdarn Pythagorean mud is so full of ricks BALL!– oh hush child, the old man now with his hand over his mouth knowing that God is hanging over his head with a long list of Anglo-Saxon words he’s not allowed to say inscribed on a lead plate that he uses to beat the fuck out of naughty little boys. There! You’ve gone and thought a dirty word, a nasty, putrid, disgusting word, a must-be-controlled word of great cosmic importance, a must-be-empowered word that every good misery farm should fear. Just then the old man pulls up a heart all squishy and grey and oozing, turns to me in hatred and do-what-I-wilt fire pointed my direction for the way I’m mocking God there in my huge pink sombrero, a limp wrist and foppish manner. But dearie, where’s the laughter...?
Gracie Starlo White is somewhere promising me new habits with a jar of urine in one hand and a stack of shark teeth in the other, poised to attack, spring with an Anglo-Saxon word. “The modern world is simply predatory, society so deceitful... all about masking how we really feel, who we really are, pretending not to have a personality with a sharkish business smile,” her hand already bleeding. Phew! I thought she was going to say– “Shit! I mean, piss.” Oh she’s gone and ruined it. “The easiest way to make somebody uncomfortable is to tell the truth.” It just now becomes obvious that the radio is on way too loud, speakers distorted from overload, blasting a man’s voice: “Bicycle tire. Bicycle tire. Bicycle tire. Bicycle tire. Bicycle tire.” Gracie, relieved at last, lets he guard down, just glad to know what she’s supposed to buy next. Right after the lecture:
“... that most critics would say a shark, but my contention has always been that an Ostrich is much more accurate, most particularly in consideration of the fact that an Ostrich brain is the same size as one of its eyes. That simply can’t be a coincidence. Nature is always telling us that A plus B equals C or that C divided by A equals B or that C minus B equals A; or then again that we are mistaken through and through and that all along A equals B equals C: we’ve been wasting our time the whole while. But to step back a moment, it most certainly should not go unnoticed that the Ostrich, while it can’t actually achieve, contrary to our stereotypes about what it is to be a bird, can run up to 60 miles per hour. With it’s long neck and bulbous center, often idiotic demeanor and surly attitude it can trump the shark every time...”
The bell goes off and you’re standing on stage singing one of your most popular songs, “Go Back to Jeremyville.” The crowd loves you, they adore you, they just want to touch you.
“Cause baby you been kissing those eels behind my back and selling my record collection in a burlap sack...”
You see something in the crowd that you know is not supposed to be there. You try to look down at the moldy stage, hoping it will go away. You look back and there he is, hard to miss in that green top hat and sunglasses at night (only this is no Corey Heart). You almost lose focus on the lyrics.
“... I been shot in the face one too many times, I can’t even make a fucking guitar stand...”
You don’t know who he is, only that he’s not supposed to be there. And it’s true, you realize, the unbearable weight of it, that anything you think, anyone you think about, anything you breathe, anything towards which you direct your attention will be profoundly affected by your Will. Oh the responsibility! Oh the discipline required! That when everything happens. With a flash, ‘bang’ his mouth even lips it with a snap of thumb and middle finger while he faces at a 90 degree angle from most of the rest of the crowd, everything being consumed in white light with an ameboid slurp of bright bulbous things of astral sharks trumped by stupid looking toads who (you know, for some reason) are named Genri and Hagat, such a special disaster as your lyrics fall off the now largely blank page of your cerebral cortex
cuz it ain’t
my fault
the toaster
was
in the
bathtub
and what you can still “see” in the room (yes, because it’s more like feeling with astral antlers) is the green-hatted hero actually splattering paint all over the collective unconsious and splattering what was missing all along, no not the cold rotted hearts or obsessive commercialbots or any given part of the Ostrich, but the ink the ink the ink...
19 Sept 2008
{permutation of cells}
defyingly complexe ethnocardiograms
crossworded et stérile
traces d'un monde en jaune
la toxine sculpte plus profonde Moléculaire exploits
pétrifié dans les couches occlusives
longueur d'onde de la couleur filtre
chemins de overemoting archness
l'enceinte créature parle
tissu tissus sous les glaciers de la phonétique
Everyman pour ensuite à enchain
defyingly complesso ethnocardiograms
crossworded e sterile
tracce di un mondo in giallo
tossina carves più profonda molecolare exploit
impietrito in strati occlusiva
lunghezza d'onda di filtro colore
percorsi overemoting archness
L'oratore ha parlato creatura
tessuti di stoffa sotto i ghiacciai della fonetica
Everyman quindi incatenato al
defyingly complexe ethnocardiograms
crossworded et stérile
traces d'un monde en jaune
the toxin sculpt plus deep moléculaire exploits
pétrifié dans les couches occlusives
longueur d'waves de la couleur filtre
Chemins de overemoting archness
enceinte the creatures parle
tissu tissus sous les glaciers de la phonétique
Everyman pour ensuite à Enchaîné
defyingly complex ethnocardiograms
crossworded and sterile
traces of a world in yellow
toxin carves deeper molecular exploit
petrified in layers occlusive
wavelength of color filter
overemoting paths archness
The speaker spoke creature
woven cloth under the glaciers of phonetics
Everyman then chained to
defyingly complejo ethnocardiograms
crossworded et estéril
huellas d'un monde en jaune
la toxine sculpte más profonde moléculaire explota
pétrifié dans les sofás occlusives
longueur d'onde de la couleur filtre
chemins de overemoting archness
l'encinta criatura parle
TISSU tissus sous les glaciares de la phonétique
Everyman pour ensuite a enchain
defyingly complesso ethnocardiograms
crossworded estéril e
Tracce di un mondo en Giallo
tossina talla più profonda molecolare explotar
impietrito en strati occlusiva
lunghezza d'onda di filtro Colore
Percorsi overemoting archness
L'oratore ha parlato creatura
tessuti di stoffa sotto i ghiacciai della fonetica
Everyman quindi al incatenato
defyingly complejo ethnocardiograms
crossworded et estéril
huellas d'un monde en jaune
esculpir la toxina más profunda moléculaire explota
pétrifié dans les sofás occlusives
longueur d'ondas de la couleur filtre
Chemins de overemoting archness
encinta las criaturas parle
TISSU tissus sous les glaciares de la phonétique
Everyman pour ensuite a enchaîné
defyingly complejo ethnocardiograms
crossworded y estéril
los rastros de un mundo en amarillo
toxina molecular talla más profundo explotar
petrificados en capas oclusiva
longitud de onda de filtro de color
overemoting caminos archness
El orador habla criatura
tejido bajo la fonética de los glaciares
Everyman entonces encadenado a
defyingly complexe ethnocardiograms
crossword and sterile
traces d'un monde in jaune
toxin sculpt plus profonde Molecular exploits
Petrified dans les couches occlusives
longueur d'onde of the color filter
Chemins de overemoting archness
l'enceinte creature parle
tissue tissue sous les glaciers of the phonétique
Everyman pour ensuite à enchaîné
defyingly Complex ethnocardiograms
crossword and sterile
Traces di un mondo in giallo
tossina carver più profonde molecolare exploit
impietrito in strati occlusiva
lunghezza d'wave filter di colore
Percorsi overemoting archness
L'oratore creature has parlato
tessuti Stoffe di sotto i ghiacciai della fonetica
Everyman Quindio to incatenato
defyingly complexe ethnocardiograms
crossword and sterile
traces d'un monde in jaune
the toxin sculpt plus deep molecular exploits
Petrified dans les couches occlusives
longueur d'waves of the color filter
Chemins de overemoting archness
enceinte the creatures parle
tissue tissue sous les glaciers of the phonétique
Everyman pour ensuite à enchaîné
defyingly complex ethnocardiograms
crossword and sterile
traces of a world in yellow
Deeper exploit molecular toxin carver
Petrified in layers occlusive
Wavelength of color filter
overemoting paths archness
The speaker spoke creature
woven cloth under the glaciers of phonetics
Everyman then Chained to
defyingly complex ethnocardiograms
crossword and sterile
traces d'un monde in jaune
toxin sculpt more profonde Molecular explodes
Petrified dans les couches occlusives
longueur d'onde of the color filter
Chemins de overemoting archness
l'pregnant creature parle
TISSUE tissue sous les glaciers of the phonétique
Everyman pour ensuite to enchaîné
defyingly Complex ethnocardiograms
crossword sterile and
Traces di un mondo in Giallo
tossina size più profonde molecolare exploit
impietrito in strati occlusiva
lunghezza d'di wave filter Color
Percorsi overemoting archness
L'oratore creature has parlato
tessuti Stoffe di sotto i ghiacciai della fonetica
Everyman Quindio to incatenato
defyingly complex ethnocardiograms
crossword and sterile
traces d'un monde in jaune
sculpt the toxin deeper molecular explodes
Petrified dans les couches occlusives
longueur d'waves of the color filter
Chemins de overemoting archness
Pregnant creatures parle
TISSUE tissue sous les glaciers of the phonétique
Everyman pour ensuite to enchaîné
defyingly complex ethnocardiograms
crossword and sterile
traces of a world in yellow
toxin molecular size deeper exploit
petrified in layers occlusive
wavelength of color filter
overemoting roads archness
He spoke creature
under the aural fabric of glaciers
Everyman then chained to
defyingly komplexe ethnocardiograms
crossworded et sterilen
Spuren d'un monde de jaune
la toxine sculpte plus profonde moléculaire Exploits
pétrifié dans les Liegen occlusives
longueur d'onde de la couleur FILTER
Chemins de overemoting archness
l'Enceinte Kreatur Parle
tissu tissus sous les Gletscher de la phonétique
Everyman pour ensuite à enchain
defyingly complesso ethnocardiograms
crossworded e sterile
Spuren di un mondo in giallo
tossina schnitzt più profonda molecolare nutzen
impietrito in Strati occlusiva
lunghezza d'onda di Filtro Colore
Percorsi overemoting archness
L'oratore ha parlato Creatura
tessuti di stoffa sotto i ghiacciai della fonetica
Everyman quindi al incatenato
defyingly komplexe ethnocardiograms
crossworded et sterilen
Spuren d'un monde de jaune
das Toxin Sculpt plus tiefe moléculaire Exploits
pétrifié dans les Liegen occlusives
longueur d'Wellen de la couleur FILTER
Chemins de overemoting archness
Enceinte die Kreaturen Parle
tissu tissus sous les Gletscher de la phonétique
Everyman pour ensuite à enchaîné
defyingly komplexen ethnocardiograms
crossworded und sterile
Spuren von einer Welt, in gelb
Toxin schnitzt tiefer molekularen nutzen
versteinerte in Schichten Verschlusskrankheit
Wellenlänge von Farbfilter
overemoting Wege archness
Die Rednerin sprach Kreatur
gewebte Tuch unter den Gletschern der Phonetik
Everyman dann verkettete zu
defyingly Complejo ethnocardiograms
crossworded et estéril
huellas d'un monde de jaune
la toxine sculpte más profonde moléculaire explota
pétrifié dans les Sofas occlusives
longueur d'onde de la couleur FILTER
Chemins de overemoting archness
l'encinta criatura Parle
TISSU tissus sous les Glaciares de la phonétique
Everyman pour ensuite ein enchain
defyingly complesso ethnocardiograms
crossworded estéril e
Tracce di un mondo de Giallo
tossina Talla più profonda molecolare explotar
impietrito de Strati occlusiva
lunghezza d'onda di Filtro Colore
Percorsi overemoting archness
L'oratore ha parlato Creatura
tessuti di stoffa sotto i ghiacciai della fonetica
Everyman quindi al incatenato
defyingly Complejo ethnocardiograms
crossworded et estéril
huellas d'un monde de jaune
esculpir la toxina más profunda moléculaire explota
pétrifié dans les Sofas occlusives
longueur d'ondas de la couleur FILTER
Chemins de overemoting archness
encinta las criaturas Parle
TISSU tissus sous les Glaciares de la phonétique
Everyman pour ensuite ein enchaîné
defyingly Complejo ethnocardiograms
crossworded y estéril
rastros los de un mundo de amarillo
toxina molekularen Talla más profundo explotar
petrificados de capas oclusiva
longitud de onda de Filtro de color
overemoting Caminos archness
El orador HABLA criatura
tejido bajo la fonetica de Los Glaciares
Everyman entonces encadenado ein
defyingly komplexe ethnocardiograms
Kreuzworträtsel und sterile
Spuren d'un monde in jaune
Toxin Sculpt plus profonde Molekulare Exploits
Petrified dans les Liegen occlusives
longueur d'onde der Farbfilter
Chemins de overemoting archness
l'Enceinte Kreatur Parle
Gewebe Gewebe sous les Gletscher der phonétique
Everyman pour ensuite à enchaîné
defyingly Komplexe ethnocardiograms
Kreuzworträtsel und sterile
Spuren di un mondo in giallo
tossina Carver più profonde molecolare nutzen
impietrito in Strati occlusiva
lunghezza d'Wave Filter di Colore
Percorsi overemoting archness
L'oratore Kreatur hat parlato
tessuti Stoffe di sotto i ghiacciai della fonetica
Everyman Quindio zu incatenato
defyingly komplexe ethnocardiograms
Kreuzworträtsel und sterile
Spuren d'un monde in jaune
das Toxin Sculpt plus tiefe molekularen Exploits
Petrified dans les Liegen occlusives
longueur d'Wellen des Farbfilter
Chemins de overemoting archness
Enceinte die Kreaturen Parle
Gewebe Gewebe sous les Gletscher der phonétique
Everyman pour ensuite à enchaîné
defyingly komplexen ethnocardiograms
Kreuzworträtsel und sterile
Spuren von einer Welt, in gelb
Deeper nutzen molekularen Toxin Carver
Petrified in Schichten Verschlusskrankheit
Wellenlänge von Farbfilter
overemoting Wege archness
Die Rednerin sprach Kreatur
gewebte Tuch unter den Gletschern der Phonetik
Everyman dann Gekettete zu
defyingly komplexen ethnocardiograms
Kreuzworträtsel und sterile
Spuren d'un monde in jaune
Toxin Sculpt mehr profonde Molekulare explodiert
Petrified dans les Liegen occlusives
longueur d'onde der Farbfilter
Chemins de overemoting archness
l'schwanger Kreatur Parle
TISSUE Gewebe sous les Gletscher der phonétique
Everyman pour ensuite zu enchaîné
defyingly Komplexe ethnocardiograms
Kreuzworträtsel sterilen und
Spuren di un mondo in Giallo
tossina Größe più profonde molecolare nutzen
impietrito in Strati occlusiva
lunghezza d'di Welle Color-Filter
Percorsi overemoting archness
L'oratore Kreatur hat parlato
tessuti Stoffe di sotto i ghiacciai della fonetica
Everyman Quindio zu incatenato
defyingly komplexen ethnocardiograms
Kreuzworträtsel und sterile
Spuren d'un monde in jaune
Sculpt das Toxin tiefer molekularen explodiert
Petrified dans les Liegen occlusives
longueur d'Wellen des Farbfilter
Chemins de overemoting archness
Schwanger Kreaturen Parle
TISSUE Gewebe sous les Gletscher der phonétique
Everyman pour ensuite zu enchaîné
defyingly komplexen ethnocardiograms
Kreuzworträtsel und sterile
Spuren von einer Welt, in gelb
Toxin molekularer Größe tiefer nutzen
versteinerte in Schichten Verschlusskrankheit
Wellenlänge von Farbfilter
overemoting Straßen archness
Er sprach Kreatur
im Rahmen des klanglichen Gefüge der Gletscher
Everyman dann verkettete zu
defyingly complex ethno-cardio grams
crossworded et sterile
traces d'un monde en jaune
Toxins sculpt la plus profonde moléculaire exploits
pétrifié Couches dans les occlusives
longueur d'onde de la couleur filtrate
Chemins de overemoting archness
l'Enceinte creature Parle
Tissue tissus sous les Glacier de la phonétique
Everyman pour ensuite à Enchaîné
defyingly complex ethno-cardio grams
crossworded e sterile
TRACC di un mondo in giallo
tossina carving more profonda molecolare exploit
impietrito in Strati occlusiva
Length d'onda di Filtro color
overemoting circuit archness
L'Orator ha parlato Creatura
tessuti Stoffaës di sotto i ghiacciai della fonetica
Everyman thus incatenato al
defyingly complex ethno-cardio grams
crossworded et sterile
traces d'un monde en jaune
The toxin sculpt plus deep moléculaire exploits
pétrifié Couches dans les occlusives
longueur d'waves de la couleur filtrate
Chemins de overemoting archness
Enceinte the creatures Parle
Tissue tissus sous les Glacier de la phonétique
Everyman pour ensuite à Enchaîné
defyingly complex ethno-cardio grams
crossworded and sterile
traces of a world in yellow
toxin carving deeper molecular exploit
Petrified in layers occlusive
wavelength of color filter
overemoting paths archness
The speaker spoke creature
woven cloth under the glaciers of phonetics
Everyman then Chained to
defyingly complex ethno-cardio grams
crossworded et estéril
huellas d'un monde en jaune
Toxins sculpt más la profonde moléculaire explota
pétrifié dans les sofas occlusives
longueur d'onde de la couleur filtrate
Chemins de overemoting archness
l'encinta criatura Parle
TISSUE tissus sous les Glaciares de la phonétique
Everyman for a suite Enchaîné
defyingly complex ethno-cardio grams
crossworded estéril e
TRACC di un mondo en Giallo
tossina Talla più profonda molecolare explotar
impietrito s Strati occlusiva
Length d'onda di Filtro Color
Percorsi overemoting archness
L'Orator ha parlato Creatura
tessuti Stoffaës di sotto i ghiacciai della fonetica
Everyman thus al incatenato
defyingly complex ethno-cardio grams
crossworded et estéril
huellas d'un monde en jaune
esculpir la más profunda toxina moléculaire explota
pétrifié dans les sofas occlusives
longueur d'ondas de la couleur filtrate
Chemins de overemoting archness
encinta las criaturas Parle
TISSUE tissus sous les Glaciares de la phonétique
Everyman for a suite enchaîné
defyingly complex ethno-cardio grams
crossworded y estéril
rastros los de un mundo de amarillo
toxina molecular Talla más profundo explotar
petrificados s Capa oclusiva
longitud de onda de color en Filtro
overemoting Caminos archness
Criatura Habla el orador
tejido bajo la de los Glaciares fonética
Everyman entonces a encadenado
defyingly complex ethno-cardio grams
crossword and sterile
traces d'un monde in jaune
toxin sculpt plus profonde Molecular exploits
Petrified Couches dans les occlusives
longueur d'onde of the color filter
Chemins de overemoting archness
l'Enceinte creature Parle
Tissue Tissue sous les glaciers of the phonétique
Everyman pour ensuite à enchaîné
defyingly Complex ethno-cardio grams
crossword and sterile
Traces di un mondo in giallo
tossina carver most profound molecolare exploit
impietrito in Strati occlusiva
Length d'wave of color filters
Percorsi overemoting archness
L'Orator creature has parlato
tessuti substances di sotto i ghiacciai della fonetica
Everyman Quindio to incatenato
defyingly complex ethno-cardio grams
crossword and sterile
traces d'un monde in jaune
The toxin sculpt plus deep molecular exploits
Petrified Couches dans les occlusives
longueur d'waves of the color filter
Chemins de overemoting archness
Enceinte the creatures Parle
Tissue Tissue sous les glaciers of the phonétique
Everyman pour ensuite à enchaîné
defyingly complex ethno-cardio grams
crossword and sterile
traces of a world in yellow
Deeper exploit molecular toxin carver
Petrified in layers occlusive
Wavelength of color filter
overemoting paths archness
The speaker spoke creature
woven cloth under the glaciers of phonetics
Everyman then Chained to
defyingly complex ethno-cardio grams
crossword and sterile
traces d'un monde in jaune
toxin sculpt more profound Molecular Explodes
Petrified Couches dans les occlusives
longueur d'onde of the color filter
Chemins de overemoting archness
l'pregnant creature Parle
TISSUE Tissue sous les glaciers of the phonétique
Everyman pour ensuite to enchaîné
defyingly Complex ethno-cardio grams
crossword sterile and
Traces di un mondo in Giallo
tossina size exploit the most profound molecolare
impietrito in Strati occlusiva
Length d'di wave filter Color
Percorsi overemoting archness
L'Orator creature has parlato
tessuti substances di sotto i ghiacciai della fonetica
Everyman Quindio to incatenato
defyingly complex ethno-cardio grams
crossword and sterile
traces d'un monde in jaune
sculpt the toxin deeper molecular Explodes
Petrified Couches dans les occlusives
longueur d'waves of the color filter
Chemins de overemoting archness
Pregnant creatures Parle
TISSUE Tissue sous les glaciers of the phonétique
Everyman pour ensuite to enchaîné
defyingly complex ethno-cardio grams
crossword and sterile
traces of a world in yellow
toxin molecular size deeper exploit
Petrified in layers occlusive
wavelength of color filter
overemoting roads archness
He spoke creature
under the aural fabric of glaciers
Everyman then Chained to
defyingly complex ethno-cardio grams
crossworded et sterile
Traces d'un monde en jaune
Toxins sculpt la plus profonde moléculaire exploits
pétrifié dans les couches occlusives
longueur d'onde de la couleur FILTER
Chemins de overemoting archness
l'Enceinte Creature Parle
Tissue tissus sous les Glacier de la phonétique
Everyman pour ensuite à Enchaîné
defyingly complex ethno-cardio grams
crossworded e sterile
Traces di un mondo in giallo
tossina carves more profonda molecolare use
impietrito in Strati occlusiva
Length d'onda di Color Filter
Percorsi overemoting archness
L'Orator ha parlato Creatura
tessuti Stoffaës di sotto i ghiacciai della fonetica
Everyman thus al incatenato
defyingly complex ethno-cardio grams
crossworded et sterile
Traces d'un monde en jaune
the toxin Sculpt plus deep moléculaire exploits
pétrifié dans les couches occlusives
longueur d'waves de la couleur FILTER
Chemins de overemoting archness
Enceinte the creatures Parle
Tissue tissus sous les Glacier de la phonétique
Everyman pour ensuite à enchaîné
defyingly complex ethno-cardio grams
crossworded and sterile
Traces of a world in yellow
Carves deep molecular toxin use
petrified in layers occlusive disease
Wavelength of Color
overemoting ways archness
The speaker spoke Creature
woven cloth under the glaciers of Phonetics
Everyman then chained to
defyingly Complejo ethno-cardio grams
crossworded et estéril
huellas d'un monde en jaune
Toxins sculpt más la profonde moléculaire explota
pétrifié dans les couches occlusives
longueur d'onde de la couleur FILTER
Chemins de overemoting archness
l'encinta criatura Parle
TISSUE tissus sous les Glaciares de la phonétique
Everyman for a suite Enchaîné
defyingly complex ethno-cardio grams
crossworded estéril e
TRACC di un mondo de Giallo
tossina Talla più profonda molecolare explotar
impietrito de Strati occlusiva
Length d'onda di Color Filter
Percorsi overemoting archness
L'Orator ha parlato Creatura
tessuti Stoffaës di sotto i ghiacciai della fonetica
Everyman thus al incatenato
defyingly Complejo ethno-cardio grams
crossworded et estéril
huellas d'un monde en jaune
esculpir la más profunda toxina moléculaire explota
pétrifié dans les couches occlusives
longueur d'ondas de la couleur FILTER
Chemins de overemoting archness
encinta las criaturas Parle
TISSUE tissus sous les Glaciares de la phonétique
Everyman for a suite enchaîné
defyingly Complejo ethno-cardio grams
crossworded y estéril
rastros los de un mundo de amarillo
toxina molecular Talla más profundo explotar
petrificados de Capa oclusiva
longitud de onda de color en Filtro
overemoting Caminos archness
El orador HABLA criatura
tejido de bajo la fonetica Los Glaciares
Everyman entonces a encadenado
defyingly complex ethno-cardio grams
Crossword puzzles and sterile
Traces d'un monde in jaune
Sculpt toxin plus profonde Molecular exploits
Petrified dans les couches occlusives
longueur d'onde of Color
Chemins de overemoting archness
l'Enceinte Creature Parle
Tissue tissue sous les glaciers phonétique
Everyman pour ensuite à enchaîné
defyingly complex ethno-cardio grams
Crossword puzzles and sterile
Traces di un mondo in giallo
Carver tossina most profound molecolare use
impietrito in Strati occlusiva
Length d'Wave of Color Filters
Percorsi overemoting archness
L'Orator creature has parlato
tessuti substances di sotto i ghiacciai della fonetica
Everyman Quindio to incatenato
defyingly complex ethno-cardio grams
Crossword puzzles and sterile
Traces d'un monde in jaune
the toxin Sculpt plus low molecular exploits
Petrified dans les couches occlusives
longueur d'waves of Color
Chemins de overemoting archness
Enceinte the creatures Parle
Tissue tissue sous les glaciers phonétique
Everyman pour ensuite à enchaîné
defyingly complex ethno-cardio grams
Crossword puzzles and sterile
Traces of a world in yellow
Deeper use molecular toxin Carver
Petrified in layers occlusive disease
Wavelength of Color
overemoting ways archness
The speaker spoke Creature
woven cloth under the glaciers of Phonetics
Everyman then Chained to
defyingly complex ethno-cardio grams
Crossword puzzles and sterile
Traces d'un monde in jaune
Sculpt toxin more profound Molecular explodes
Petrified dans les couches occlusives
longueur d'onde of Color
Chemins de overemoting archness
l'pregnant Creature Parle
TISSUE tissue sous les glaciers phonétique
Everyman pour ensuite to enchaîné
defyingly complex ethno-cardio grams
Crossword sterile and
Traces di un mondo in Giallo
tossina most profound size advantage molecolare
impietrito in Strati occlusiva
Length d'wave of color filters
Percorsi overemoting archness
L'Orator creature has parlato
tessuti substances di sotto i ghiacciai della fonetica
Everyman Quindio to incatenato
defyingly complex ethno-cardio grams
Crossword puzzles and sterile
Traces d'un monde in jaune
Sculpt the toxin deeper molecular explodes
Petrified dans les couches occlusives
longueur d'waves of Color
Chemins de overemoting archness
Pregnant creatures Parle
TISSUE tissue sous les glaciers phonétique
Everyman pour ensuite to enchaîné
defyingly complex ethno-cardio grams
Crossword puzzles and sterile
Traces of a world in yellow
Toxin molecular size advantage of lower
petrified in layers occlusive disease
Wavelength of Color
overemoting streets archness
He said Creature
as part of the aural fabric of the glacier
Everyman then chained to
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